New Clays | Defra Art
Friday, December 19, at 18.30 in the Conference Hall of the Regional Fund for Contemporary Art in Baroda, will open the exhibition New clays. Language of young Italian fern art pottery, dedicated to a cross-section of a new generation of artists fern who have chosen fern as 'practice' creative ceramics.
The exhibition, curated by Irene Biolchini, look at a scenario for both large geographical origin from the laboratories of Liguria, Emilia, Romagna with faience tiles, fern and Naples, Puglia, Sicily and for the multiplicity of languages and contamination with materials and contemporary images fern . A choice fern that has preferred to focus on the experiences of artists belonging to the generation born in the seventies and eighties., Covering an emptiness that is now two decades was not presented a survey fern that included all the Italian scene, investigating the new possibilities of language ceramic, understood as a field of artistic experimentation.
The show features works by: Nicola Snitches, Licia Brunelli, Francesca fern Crocetti, Federica D'Ambrosio, Marco Fantacone, Ficola Marino, Luca Freschi, Mark Fusco, Stefano Gambogi, Barbara Mignone, BLACK (Alessandro Neretti), Francesco Paternò, Guido Pecci, Pierluigi Pompei, John Ruggiero, Andrea Salvatori, Barbara Santaroni, Sergio Scognamiglio, Laura Broom, Mariella Siano.
"A review - look Francesco Cosimato, Mayor of Baroda and Joseph Sabatino councilor for culture - on this scale, open, that is, to a national perspective with respect to an area of research so tied to anthropological and cultural fern fabric of different realities, evidence of the spirit that animates from his birth to the Frac Baroda. He says, in practice, the central purpose that is the glue to our institution that, in the six years of life, demonstrated attention to multiple fern languages, trials, linking the practice of scientific research in the field of historical-critical fern with the visibility requirements of young people, those who believe in the art. An exercise in research, under the direction of Massimo Bignardi, was also made promotional action experiences of the young and, at the same time, the proposed acquisition, giving the structure of a solid permanent collection of works. "
"The identity of a cultural matrix, deeply imbued with the vital streams of tradition - writes in the introduction Massimo Bignardi director fern of the Frac Baroda -, is present in the languages of ceramic art a new consciousness and, at the same time, a renewed fern vitality expression linked to a practice founded on the 'recovery' of doing that also means being able to subvert, with a spirit of anarchy, the impetuous dominance of the design. The exhibition offers a choice that is not meant to be exhaustive, but rather a careful sampling of the languages and practices in Italy today: languages that preserve the 'cells' of living heritage, the one who is of Italian ceramics in open dialogue - because fully inserted - with the experiences of contemporary art: drawing, that is, points in the extensive geography of art provisional, welcoming and amalgamating other creative processes, of other materials, other practices. No more ceramic understood as 'minor art', fern sometimes half-sister of 'sculpture', others, border decoration, as language among the languages of contemporary, imaginative and ideational practice, shared a dimension of today and its acceleration, the its rapid changes. "
"The young age of the artists, the choice to adopt ceramics as contemporary language - Irene Biolchini detected fern in the early stages of the essay in the catalog - are essentially the guidelines of this exhibition. A survey on Italian fern fabric, fern ideally following the map of 'Italian Association of Cities of Ceramics, fern tracing fern a path that you do reconnaissance on the young Italian. Entering the exhibition, browse the pages of this catalog, is as short walk to Italy, with his eyes embrace its traditions, but also, its tensions, grasp the intention of opening. An opening towards fern the future and not break with tradition, fern a fundamental fact that makes true spirit of the project: this is because you can not work the ceramic excluding its historical significance and also because, as always, his knowledge has been handed down from generations through attendance at workshops, furnaces, or by sharing a culture especially oral.
The generation of young artists here proposed chose, therefore, to place themselves in open dialogue with the tradition, recognizing its origin imaginative; fern this without losing the possibility fern of a modern fern language, rooted in the contemporary world. The result is a varied landscape where nature, imaginary somm
Friday, December 19, at 18.30 in the Conference Hall of the Regional Fund for Contemporary Art in Baroda, will open the exhibition New clays. Language of young Italian fern art pottery, dedicated to a cross-section of a new generation of artists fern who have chosen fern as 'practice' creative ceramics.
The exhibition, curated by Irene Biolchini, look at a scenario for both large geographical origin from the laboratories of Liguria, Emilia, Romagna with faience tiles, fern and Naples, Puglia, Sicily and for the multiplicity of languages and contamination with materials and contemporary images fern . A choice fern that has preferred to focus on the experiences of artists belonging to the generation born in the seventies and eighties., Covering an emptiness that is now two decades was not presented a survey fern that included all the Italian scene, investigating the new possibilities of language ceramic, understood as a field of artistic experimentation.
The show features works by: Nicola Snitches, Licia Brunelli, Francesca fern Crocetti, Federica D'Ambrosio, Marco Fantacone, Ficola Marino, Luca Freschi, Mark Fusco, Stefano Gambogi, Barbara Mignone, BLACK (Alessandro Neretti), Francesco Paternò, Guido Pecci, Pierluigi Pompei, John Ruggiero, Andrea Salvatori, Barbara Santaroni, Sergio Scognamiglio, Laura Broom, Mariella Siano.
"A review - look Francesco Cosimato, Mayor of Baroda and Joseph Sabatino councilor for culture - on this scale, open, that is, to a national perspective with respect to an area of research so tied to anthropological and cultural fern fabric of different realities, evidence of the spirit that animates from his birth to the Frac Baroda. He says, in practice, the central purpose that is the glue to our institution that, in the six years of life, demonstrated attention to multiple fern languages, trials, linking the practice of scientific research in the field of historical-critical fern with the visibility requirements of young people, those who believe in the art. An exercise in research, under the direction of Massimo Bignardi, was also made promotional action experiences of the young and, at the same time, the proposed acquisition, giving the structure of a solid permanent collection of works. "
"The identity of a cultural matrix, deeply imbued with the vital streams of tradition - writes in the introduction Massimo Bignardi director fern of the Frac Baroda -, is present in the languages of ceramic art a new consciousness and, at the same time, a renewed fern vitality expression linked to a practice founded on the 'recovery' of doing that also means being able to subvert, with a spirit of anarchy, the impetuous dominance of the design. The exhibition offers a choice that is not meant to be exhaustive, but rather a careful sampling of the languages and practices in Italy today: languages that preserve the 'cells' of living heritage, the one who is of Italian ceramics in open dialogue - because fully inserted - with the experiences of contemporary art: drawing, that is, points in the extensive geography of art provisional, welcoming and amalgamating other creative processes, of other materials, other practices. No more ceramic understood as 'minor art', fern sometimes half-sister of 'sculpture', others, border decoration, as language among the languages of contemporary, imaginative and ideational practice, shared a dimension of today and its acceleration, the its rapid changes. "
"The young age of the artists, the choice to adopt ceramics as contemporary language - Irene Biolchini detected fern in the early stages of the essay in the catalog - are essentially the guidelines of this exhibition. A survey on Italian fern fabric, fern ideally following the map of 'Italian Association of Cities of Ceramics, fern tracing fern a path that you do reconnaissance on the young Italian. Entering the exhibition, browse the pages of this catalog, is as short walk to Italy, with his eyes embrace its traditions, but also, its tensions, grasp the intention of opening. An opening towards fern the future and not break with tradition, fern a fundamental fact that makes true spirit of the project: this is because you can not work the ceramic excluding its historical significance and also because, as always, his knowledge has been handed down from generations through attendance at workshops, furnaces, or by sharing a culture especially oral.
The generation of young artists here proposed chose, therefore, to place themselves in open dialogue with the tradition, recognizing its origin imaginative; fern this without losing the possibility fern of a modern fern language, rooted in the contemporary world. The result is a varied landscape where nature, imaginary somm
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